(Cross-Up is still on hiatus, but don't worry -- it'll be back before the end of the month, maybe! In the meantime, have one more irreverent and overzealous post on a certain magical video game! Because that's what you're here for, right? Not the sauerkraut jokes?)
If for some silly
reason you’re just joining me here for this FFXIII
miniseries (here’s
part 1, and here’s
part 2), let me give you another primer.
The thrust of my argument is that Lightning Farron, lead character of
this so-called Lightning Saga and Square-Enix’s current golden girl, is
actually the villain of her games…and as of the last post, you can add “insane”
to her name. If only by accident -- or
sheer writing incompetence, if you prefer.
I’d like to think that
this trend is going to continue, and get even worse, with Lightning Returns. It’s easy
to shrug off the game as having a garbage story and just enjoying the gameplay
-- but that really is a disservice to everyone involved. If a game is going to tell a story,
especially if it’s part of a genre half-built on telling stories, then the
quality of the game CAN’T be divorced from the quality of its story. The technique has to be judged, as do its
particulars; ideas, themes, and especially characters have to be taken in
wholesale. And that includes the sequel
nobody begged for…to another sequel
nobody begged for.
It’s hard to get a full
understanding of the story without playing all of Lightning Returns, but with the release date lurching ever closer
(God help us all), I think there are just
enough details for me to make a few claims.
Obviously, all of this is going to be up for interpretation, so feel
free to disagree with me. I’ll welcome dissent,
even if I don’t exactly have a good counterargument. One man’s villain is another man’s hero,
after all.
So let’s get
started. But before I begin, let’s step
back for a moment. A long moment.
Spoilers for FFXIII and XIII-2 -- and
potentially Lightning Returns -- incoming. I would probably not even read this post if I
was you. Or…you know, if I was smart.
It’s worth mentioning
at this point that technically, I haven’t finished a game in this so-called
Lightning Saga yet. That’s not to say
that I haven’t played them -- on the contrary, I’ve done so extensively (against
my better judgment, because I’m dumb). I
made it to the last boss of the first game, but threw in the towel when his
instant-death move randomly killed off the party leader for the twentieth time,
and running back to get the one item I needed to protect myself would have not
only taken time I didn’t care to spend, but would require me to once again
negate a good twenty minutes of whittling down his forms’ millions of HP. I guess I made it through two-thirds of the
second game, but once I realized that the number of significant events could
almost be counted on one hand AND the game expected me to go on a
reality-spanning fetch quest, I threw aside the controller, popped out the
disc, and never played it again.
But for whatever (dumb)
reason, I decided to watch whatever I couldn’t earn myself; I sat behind my
brother and watched as he cleared vanilla XIII,
and the two of us did our best to understand exactly what had just happened in its ending. I took to YouTube and watched -- well, mostly
listened to an LP by a couple of guys
named Pork Lift and Wateyad. They
cleared the original game even if they’d long since stopped enjoying it, but
couldn’t bring themselves to make it to XIII-2’s
halfway point thanks to the “If you change the future, you change the past”
line. I can’t say I blame them. So I had to switch to the LP done by Kung Fu
Jesus and his posse. And for whatever
(dumb) reason they decided to go for 100% completion…with their reward being
Caius stating that everything they did was pointless.
It goes without saying,
then, that I refused to pay good money for the DLC (or even XIII-2, given that my brother grabbed a
used copy while I got the splendid Ratchet
and Clank Future: Tools of Destruction).
But I have seen it play out. And
in a lot of ways -- almost too many to list -- it helps unravel the story, the
game, and Lightning’s character even further, doing so in such a comprehensive
sweep it’s almost praise-worthy. If my
understanding of the DLC -- and the story at large -- is right, then it means
that Lightning not only single-handedly ensured that time and space would
effectively collapse, but that she would rather entomb herself instead of
taking responsibility and helping out the people now doomed to suffer for
ages. All because of some sort of
“atonement.”
Given what I’ve said
about Lightning before, you would think that she wouldn’t even begin to
understand the concept of atonement. She certainly doesn’t understand the
concept of suicide, given that she’s still alive in her crystal shell and
waiting for some other god to sort things out.
But the DLC shows that she’s more than willing to engage in
self-punishment to make up for her past crimes.
She even has a minutes-long monologue where she spins through space,
lamenting what she’s done in the past and deciding that she needs to make up
for it. It’s enough to shut down a huge
chunk of my argument. Maybe Lightning is
capable of growth and development. Maybe
she sees the world in more rounded terms than just the standard black and
white. Maybe she cares about Serah on a
genuine level, and she actually didn’t mean to push her into the
fray…twice. Maybe. Maybe.
But I doubt it. Because I don’t believe that spiel for a
second.
WARNING: THE FOLLOWING CUTSCENE IS EXTREMELY STUPID AND PRETENTIOUS. VIEWER DISCRETION IS ADVISED...AND ALSO, HAVE A BUCKET NEARBY TO PUKE INTO.
Where did that
characterization come from? Not from
vanilla XIII, that’s for sure. One of the few -- and maybe only -- times
Lightning gets slowed down and questions herself is with the
previously-mentioned “we’re like pets” scene, and that that only established A)
revelations only affect Lightning if they’re directly related to Lightning, and
B) even a basic concept -- one triggered by the random words of a
fourteen-year-old -- is enough to leave a grown woman breathlessly saying “I’ve
been so blind.” The world at large and
the people in it are just concepts to her, not things that need to be observed
and protected. Even as a member of the Guardian Corps, I’d wager that the
people she was supposed to protect and serve were only pieces of her
objective. Objects, and nothing more.
Lightning doesn’t
strike me as the sort of person that would suddenly have an epiphany,
especially three years after the fact.
It’s possible that her character development (such as it is) from
soldier to goddess happened off-camera, or perhaps by gaining access to a view
of all of history she could reflect on her past actions. But I have my doubts. In a lot of ways, it comes off as Squeenix
deciding to saddle their golden girl with angst -- which I’d assume is the
single strategy listed in their playbook as of late. It’s an insincere effort at adding depth to a
character that isn’t even in five percent of a game with her face plastered on
the cover; as a result, it makes the character herself seem insincere. She’s lying to us, and she’s lying to herself…and
that just invites a whole new set of problems.
So here’s a question
for you: what if Lightning is actually a psychopath?
Now hear me out on
this. Obviously, I’m not much of an expert
in the way of psychology. Throwing out a
term like “psychopath” (or would it be sociopath?) and trying to ascribe it to
someone without the proper steps taken seems like a quick way to invite
ridicule. That said, let’s entertain the
thought for a bit. Let’s pretend like
all I need to make a diagnosis is reading off a
list from Wikipedia. How does
Lightning stack up? Well, let’s see for
ourselves, based on the Hare Psychopathy Checklist.
--Glibness/superficial charm
Lightning wouldn’t be
on the cover of two, probably three boxes if she didn’t have that standard-fare
Squeenix beauty, so it’s likely that that transfers into the game, even if it’s
just a tiny bit. I wouldn’t say she’s
charismatic in a conventional sense, but her tough, no-nonsense attitude has
won her fans within and outside the game...even if it is less-than-ideal. Further, Robert D. Hare once said that "Psychopathic
charm is not in the least shy, self-conscious, or afraid to say anything." Sound familiar?
--Grandiose sense of self-worth
If we interpret
Lightning’s need for survival to be a measure of how much she values her own
life above others, then I’d say there’s at least a vague connection between the
two. She’s right, and everyone else is wrong;
she’s in the white, and those that oppose her are in the black.
--Pathological lying
Thinking back to
vanilla XIII, I have to wonder why,
exactly, Lightning didn’t just explain to Sazh “her angle”. If she had just said “I want to save my
sister”, it probably would have helped build rapport from the get-go. Indeed, Sazh notes that Lightning probably
wants to be near her crystallized sister, even if the lady herself refuses to
acknowledge it…meaning that she’s likely lying to herself. That sounds like a consistent part of her
character, given her space-angsting in the sequel’s DLC.
--Cunning/manipulative
I don’t know what
Lightning did to Serah to make her cling so tightly to her ankle, but from my
perspective it’s almost as if she’s conditioned her little sister to come
running whenever she says her name. Then
again, it could all be a part of my “Lightning altered everyone’s memories”
theory, so…yeah. Not a pretty image.
--Lack of remorse or guilt
Do I really need to say
anything here at this point?
--Shallow affect (genuine emotion is short-lived and egocentric)
According to the Saga’s
masterminds, the driving force behind the sequel was the question “Is Lightning
truly happy?” Said question was answered at the end of
vanilla XIII, where we see Lightning
make her first real smile over the course of some fifty hours at the sight of
her revived sister. That’s HER revived
sister, by the way. I wonder if she has
any emotion to spare for the millions of people killed by the physics of
Cocoon’s fall…or the incalculable number of people suffering at the malicious
fingers of chaos scraping across time.
--Callousness; lack of empathy
Guess I just answered
my own question.
--Failure to accept responsibility for his or her own actions
You know, I would have
expected Hope to harp on Snow a lot, because the big guy (indirectly) caused
the death of his mother. But I would
have expected Lightning to refrain from joining in; instead, she’s just as
quick to complain about everything he’s done wrong, even though she whacked a
fal’Cie’s shell with her sword, and that probably isn’t the brightest idea
she’s ever had. I suspect she’s only
sorry when it involves her prized pig Serah coming in harm’s way, if that. Otherwise, she could care less about her
actions. Also, she spends a bare minimum
of three years in another dimension living out her Bleach fanfic without even trying to communicate with Serah, so
what does that tell you?
--Need for stimulation/proneness to boredom
Here’s some rare early
concept art I found of Lightning before her Squeenix beautification.
--Parasitic lifestyle
It’s hard to say what
Lightning’s living conditions are like (just how well does the life of a
soldier pay? Is she living with Serah or
not?), but if nothing else she needs Serah to fulfill a conceptual desire. She needs to feed off of her sister to get
something that a sword fight wouldn’t allow.
Even as a goddess, she has to drag Serah to her side.
--Poor behavioral control
When in doubt, punch
Snow! (Or alternatively, slap Fang.)
--Lack of realistic long-term goals
Again, I have to ask --
what are Lightning’s hopes and dreams that are so precious to her? The story proper doesn’t have any answers,
and she flat out admits several points that she doesn’t have a plan. I don’t know about you, but I would at least
field an unrealistic goal. It’s better
than no goal, at least.
--Impulsiveness
I don’t think I need to
put anything here.
--Irresponsibility
…Or here.
--Juvenile delinquency.
…Or -- oh wait, there’s
nothing in the game to trip this one.
Cool! Unless there’s a novel in
Japan that mentions something, or the in-game datalogs that about eight people
in the world ever bothered with. But
those don’t count, so let’s move on.
--Early behavior problems
Again, it’s hard to
know anything conclusive here for sure.
Then again, considering that she felt like she had to throw away her
name, her past, and her emotions to protect Serah…
--Revocation of conditional release
Doubt there’s any data
here, so let’s move on.
--Criminal versatility
Well, she IS a goddess
now, so I’d assume that “versatility” entails the ability to super-duper
destroy anything that looks at her funny.
So. Out of eighteen items, a bare-bones analysis
of Lightning suggests that she trips about fifteen of them. Well, technically there are a couple of
others, but given that they deal with her sexual promiscuity I think it’s safe
to leave them off. (I’ll leave the
imagining to the shippers around the internet.)
But still, those are a lot of worrisome traits, especially when they’re
back-to-back-to-back. And remember, this
character is ostensibly supposed to be the games’ heroine -- the one champion
who exists to evolve into an enlightened form, defeat the ultimate evils of the
world, and ensure that the people can live merry lives unabated.
And had the Saga ended
with the original game -- as it should
have -- then it would have at least helped out the canon. I am 100% convinced that if not for
Lightning, the canon would never have entered such dire straits in the first
place. Arguably, there might not have
been a canon, period. She may have a
pretty face, but underneath that feathered hair and svelte form is the mind of
a callous brute -- a brute that may very well refuse to acknowledge that she’s not as pure as she thinks she is.
And it only gets worse
from here.
Here’s what I know
about the story of the game so far.
Centuries after the events of XIII-2,
chaos has taken root in the world, and time itself has…well, let’s call it
“fractured” for now. Those that were
alive at the end of the game live on seemingly forever, while those that died
(Serah) remain dead. But with the
announcement of the world coming to an end in thirteen days, Lightning is
awakened from her crystal slumber and sent in to sort it all out. Imbued with new powers by the god
Bhundilv…Brunhiliv…Buns, Lightning --
now reported to be “stronger than ever” -- heads off to put an end to this mess
before the mess ends her.
I could point out a
number of problems based on that paragraph alone -- why does a goddess need
even more power, why are there “days” if time doesn’t exist anymore, why didn’t
the god Buns do something to sort the mess out from the start, or at the very
least not wait half a millennia -- but again, until the game hits store shelves
and I have a chance to not play it
(thank you, LP Archive) it’s hard to pass judgment on an incomplete and
largely-unrevealed product. What I CAN pass
judgment on is this picture, and the caption within it.
No, Lightning. NO.
Apparently in the
centuries since the start of vanilla XIII,
Lightning has not only failed to learn anything, and not only completely missed
the point of her plight, but is almost gleefully moving back into the same
mental and emotional rut as before. Like
the NES games of old, Serah is nothing more than a prize to be won, a trinket
that signals a victory state in Lightning’s increasingly-warped mind. “If I save Serah, I’ll be complete again,”
she might think. On the surface level,
at least; in reality, her thoughts are something along the lines of “If I save
Serah, I’ll be her hero.” Or “If I save
Serah, I’ll have Serah by my side.”
As you can guess, I’m
not wholly convinced that Lightning is quite in this for altruistic
purposes. Oh, sure, she might beat the
bad guy du jour (Caius? This new girl,
Lumina? Etro? Hope?), but I suspect that it’ll just be
something on her way to a newfound life as a super-duper goddess -- and I
swear, if they go for the “I must sacrifice myself, for I am the messiah”
route, I’m going to…be a little miffed. Because wouldn’t that be the perfect out for
her? Rather than make up for the
problems she caused, she’s going to go out in a blaze of glory, choosing to die
instead of lending Serah a hand, or even entertaining the idea of life in a
ruined/revived world.
But I guess it doesn’t
matter. Because as far as I’m concerned,
the game should be called Lightning’s
Vacation: Final Fantasy XIII.
Four reasons for this
one. Reason one: Lightning gets to go
gallivanting across a new world with several distinct areas and styles, even
though Cocoon/Pulse at large have barely been explored or defined. (Seriously, if anyone can draw me a map of
two locations in Cocoon in relation to one another without just showing off a connected tube, I’ll praise them as my
new lord and master.)
I have a hard time
believing she has any attachment to the world she helped save, and even with
this new game I suspect she doesn’t have much of an attachment to anything she
might come across; even if XIII had
its flaws, the fact that Vanille reacted to -- or over-reacted to -- the sights
is vastly preferable to a character that just stared blankly at the
million-dollar visuals. In any case,
Lightning probably just needs a change of pace, even if she doesn’t necessarily
have any reason to be excited about this new world as opposed to the old one.
Reason two: Lightning
gets to relieve her “stress” by doing the one thing she’s always wanted: kill
Snow. What sounds like the key thrust of
a bad fanfic actually appears to be a plot point in this game; the two
characters engage in a grudge match that has technically been one-sided since
its inception. Moreover, Lightning gets
to fight Noel, who doesn’t really have any reason to fight her besides some
newly-minted “prophecy”, but she has every reason to fight him on the grounds
that he -- and clearly not she -- was
responsible for Serah’s death. And of
course, Caius will probably get his turn at bat, so revenge (such as it is) can
be exacted.
Lightning seems to be
systematically working her way from one cast member to the next, to the point
where I wouldn’t be surprised if she took a few swings at Sazh because he broke
her ridiculously fragile anti-gravity device.
I’d say it’s a means of catharsis, a way to strike at the only people
that have even tried to matter to her; if it’s really impossible for anyone to
die in this new world, then the consequences are removed…though that just means
Lightning can fight and arguably torture her foes to her heart’s content. They’re battles that are meaningless, yet
have a personal meaning -- now Lightning can cut at the ties at bind, severing
one connection to her worthless past and more worthless friends.
Barring that, there’s always
the Last One mechanic. Which,
apparently, revolves around and rewards HUNTING MONSTERS -- WHICH MAY BE THE WILDLIFE ITSELF -- TO EXTINCTION.
Squeenix, I know I’m
just playing around with this miniseries, but you’re making it way too easy for me.
Reason three (and this
is a big one, given the news making the rounds): vanity. Much has been made
of the staggering number of costumes revealed, no doubt with plenty more to
unlock in the game proper. Admittedly, some
of them do look pretty cool; others…don’t.
And then you hear about Lightning getting a cat girl costume, or a bunny
girl outfit, and of course the whole “bigger breasts” demand of the
director. To say nothing of putting
Lightning in costumes designed for characters -- Yuna and Aerith, as far as I
know for now -- who are not only diametrically opposed to her in personality,
but also ill-dressed to do the sorts of acrobatic moves Lightning is famous for…unless
they plan to make those forms limited in movement, but that doesn’t exactly
seem like a fun route for the player.
I know it’s a little
futile to talk about reasonable clothing in a Final Fantasy game, but they really are an important aspect of a
character. (Street Fighter’s world warriors dress the way they do for unspoken
but understood reasons -- except Cammy, unless she’s just immensely proud of
her backside.) I agree with the
sentiment that most of the clothes Lightning decides to don don’t fit her
personality -- at all -- but maybe
during this little vacation she wants to be free to explore the
possibilities. Maybe she wants to look
good, and feel like she looks good.
She’s been aware of her power for years, but now she wants to explore and
accentuate her beauty -- to the point where she’d willingly do
inappropriately-naughty poses. Gotta
justify that grandiose sense of self-worth somehow.
Reason four is on some
pretty shaky ground, but hear me out here.
Maybe Lightning’s vacation isn’t much of a vacation at all. Maybe it’s all just a dream -- she’s still in
her crystal cocoon, preserving the memory of Serah and junk. And everything that happens in the game is
either the product of her slumbering state, or the majority of it happens while she’s asleep, only for her to wake up
at the fifteen-hour mark as per some sort of plot twist. That’s not exactly the most likely outcome,
of course. Even I don’t really buy into
it (since I’ve never put much stock into things like the “Alfred’s
hallucination” theory of The Dark Knight
Rises).
That said, it’d almost
make too much sense. A grim, grisly
world with the threat of death hanging over all, and the only one who can save
the day from the black is the last embodiment of whiteness -- Lightning, the
“warrior goddess”, doing what no one else can or will. She’s quite literally, according to trailers,
taking on the title of “Savior”. Her
vacation is, once again, her fantasy. A
new fantasy, but one that’s in line with her desires.
There’s no telling how
this story -- this Saga -- is going to end.
I’d like to think that I’m patient enough and forgiving enough to give anything a fair shake. That said, I have a low tolerance for
entertainment that fails to entertain, be it bland, clichéd, uninspiring, or
even fundamentally broken. And indeed,
this Saga is fundamentally broken to me.
However it ends, there is no way
it can satisfy me the way it needs to.
Squeenix won’t let it. Lightning
herself won’t let it. The gods are on
her side, and any attempts to fix the canon are going to come off as token at
best or offensive at worst.
I said earlier that I’d
be mad if Lightning Returns took the
heroic sacrifice route, and I meant it.
Part of that is because I’ve never cared for the trope in the first
place; even if we never see the outcome by way of the story ending, the threads
left hanging by the now-dead hero leave tons of missed opportunities. And more often than not, it comes off as a
cheap way to tell an audience “This is the ultimate hero, because he/she gave
up living for the sake of others.” I
don’t agree; the ultimate hero would be one that overcomes the odds without giving up their life, and make
it back to repair or change the world ravaged by the baddies. But I can’t shake the feeling that that’s
exactly what Lightning WON’T do at the end of this final game.
She’s never cared about
her world. She’s never cared about the
people in it. She’s never cared about
the people around her. She’s never cared
about rules, or morals, or even reason.
She’s just in it for herself, and her rules. Every word that comes out of her mouth that
suggests otherwise is a bold-faced lie.
I know it, you know it, and she knows it. There’s no sincerity to her words, but she
says them anyway.
So when she says “I
might not even be human anymore”, or something to that effect in a trailer, it
telegraphs one of two outcomes: A) she’s going to give up her powers at the
very end to reunite with her “friends”, or B) she’s going to sacrifice herself
-- either by going out in a blaze of glory, or by ascending to true godhood and
separating herself from the others permanently.
My money’s on B, because why would she do anything else? Why would she care about a world she
tangentially acknowledges and actively wrecks?
Why would she want to be remembered as anything besides “the warrior
goddess who saved the world from chaos”?
Why would she bother with anything beyond absolutes -- beyond her
forceful defining of what’s black and what’s white? Why would she care about reality when she has
her fantasy -- and a fantasy she’ll use to crush all opposition?
Why Lightning? Or to be more precise, why, Lightning?
It’s very likely that
I’m wrong here. Almost a given. What I’ve put up here is little more than an
interpretation of a character I’m on record of saying is the WORST character I’ve
ever seen in a video game. She’s at the
top of a list that includes DmC’s Donte,
Birth by Sleep’s Terra, Halo’s Master Chief, and Tales of the Abyss’ Ion. (And that list is probably even longer; if I
could remember a blasted thing from Gears
of War besides a few “choice” cutscenes, I’d immediately add Marcus Fenix just
under Tekken 6’s Lars
Alexandersson. Because I really hate
Lars.)
Obviously, I have some
extreme bias towards Lightning and her games.
Obviously. I wouldn’t have done
as much ranting and raving, and even outright troublemaking if I didn’t have a
massive one-sided grudge against this saga.
My judgment is clouded, and I’ve likely taken some subconscious
liberties; I’ve strung my words together in such a way as to put up a strong
argument -- a condemnation of a character that is ultimately harmless. But I’ll be the first to acknowledge that my
argument has holes, and massive ones at that.
That’s precisely why I’ll welcome dissent. Prove me wrong if you so desire. As a wise man once said…
But in exchange, I want
you readers -- especially you who like Lightning -- to do something for
me. Whether you like the character and
her saga, or whether you’ve spouted more bile than I ever could, I think we can
all come to a similar conclusion. An answer
to a simple question.
Couldn’t Lightning and
her games have been better?
Before you answer that,
think carefully about what I’ve said throughout this miniseries. Think carefully about the games. Think about your past experiences, and your
current preferences -- and then watch this video. Remember these events. Remember that, as tongue-in-cheek and
out-of-context as it may be, this is supposed to be a highlight reel of this character’s finest moments. This is supposed to be the person we’re
rooting for, and want to succeed. This
is our hero.
I don’t buy it for a second. But you know what? At the end of the day, I don’t mind playing
as the villain. I think good-hearted
heroes are a lot more entertaining, but I’m not opposed to taking a walk on the
dark side. Marvel vs. Capcom 3 introduced me to characters like Super-Skrull
and Dormammu, and now I think they’re some of the coolest guys around. Two contenders for the 2013 Game of the Year
-- BioShock Infinite and The Last of Us -- effectively made
players into unrepentant killing machines whose grisly acts couldn’t be
justified by their cute female sidekicks.
Grand Theft Auto might as well
be called Terrible People Doing Terrible
Things, but that’s one of the franchise’s biggest strengths. The latest game in particular establishes
from the get-go that the leads will default to the least lawful option to suit
their needs. And that’s fine. That honesty is refreshing.
That honesty is sorely
missing from The Lightning Saga, either as a result of blind incompetence, or
because of willful ignorance. “It’s a
JRPG, so you have to play as the good guy,” the reasoning might go. Or “Sure, the hero does some bad things, but
it’s for a good cause. The real villains
are a whole lot worse, after all.” The
genre itself invites slotting into certain mindsets and never getting out, but
it is possible to deviate from norms.
You’ve probably got a good half-dozen titles in mind by the end of this
sentence. And indeed, I can think of at
least a couple that defied conventions.
(I’ve developed a stronger
attachment to a baddie that spends three quarters of the show as
disembodied forearm than to ANY character in this Saga.) They were willing to be honest, and honestly
explore the possibilities.
The Lightning Saga
isn’t. The games tell us that Lightning
is our hero, but the “hero” herself contradicts that with every other breath;
it’s as if they tried to sell us a bowl of spinach and called it ice cream. I would have been fine with that if they had
made her this sort of character on
purpose -- if her faults and vices were intentionally added for the sake of
calling her out (and indeed, every character in the Saga in turn), or even if
they named her specifically as the villain.
But they didn’t. The developers
themselves firmly placed Lightning in the white, enabling her descent into the
deepest, darkest black imaginable.
She’s been given the
freedom to do as she pleases -- to destroy and distort the very world she was
supposed to serve. A good story can’t
exist without a good lead character; if said character isn’t allowed to be
themselves, with the repercussions to follow and the development that stems
from it, they’re hamstringing the story.
And that may be the biggest crime Lightning has ever committed. That may be what makes her a true
villain. She isn’t just wrecking her
world. She’s wrecking her own games.
I asked earlier if
Lightning and her games could have been better, but I’d like to rephrase that a
bit. Any game, good or bad, could have
been better. There’s no such thing as a
perfect game; in the end, it all comes down to a matter of opinion. And I fully accept the opinions of
others. Honestly, I WISH I could have
gotten as much enjoyment out of The Lightning Saga as some of you out there. But I can’t.
I can’t like the character, the canon, or the games, because I can’t
turn my head without spotting a missed opportunity…either that, or an infuriating facet. Some may agree with me. Some don’t.
No matter the opinion, a question still remains.
Couldn’t Lightning and
her games have been loved by all instead of some?
I think they could have
been. They could have, once upon a time. And the fact that they aren’t -- the fact
that what was once a glowing, beloved pillar of the gaming canon for so many people has turned into a mockery
of its former self -- is heartbreaking.
That’s not an
opinion. That’s the world we live in.
Then again, we live in
a world that has The Wonderful 101 in it. So it all evens out.
I don't have time to read the post, but I figured I should warn you:
ReplyDeleteYour expectations for Lightning Returns? Lower them somewhat. The ending? Lower your expectations even further.
I went and spoiled it for myself, since I won't be playing it, despite being neutral about the whole FF13 situation that Square Enix slowly destroyed themselves in over the past generation.
You want me to lower my expectations...for a game I already have negative infinity expectations for?
ReplyDeleteOkay.jpg.
I don't know the particulars of the game, but by accident -- by looking up a completely unrelated song on YouTube -- there was a song from the game that revealed the final boss. It's exactly who I thought it would be, because sticking close to JRPG conventions has never failed before. But as if that wasn't bad enough, I ended up stumbling upon four words in relation to the ending that nearly made my head split open.
I'm just going to pretend that I didn't read what I think I did. It's the only way I'll sleep tonight...even though I dread the day my brother begs me to play it for the sake of a "great game, great experience" on par with Resident Evil 6.
Man, can we just knock this coming February out of the timeline? It'll save more than a few gamers a LOT of heartbreak.
I have DanganRopa pre-ordered and February would be about when I finally start hearing back from my law school applications. Can we please not remove February from the timeline? XD
ReplyDeleteOkay, new plan, then. You and the rest of the world can have your February, and I'll just freeze myself and wait out the month. That way, everyone's happy.
ReplyDeleteI'm nothing if not willing to compromise -- even in matters of chronological displacement.
Claiming Lightning is insane isn't much of a stretch, it's 90.1879% true. My knowledge of psychology is limited too (having only taken a general social sciences cluster course in high school... and intro to psych in college), but even with limited knowledge or awarenesses of certain branches of disorders can make Lightning look absolutely sick in the head. But maybe I'm just as biased against this female dog like you are.
ReplyDeleteI realized something else from this mini series. Lightning is obsessed with her sister, just as much as - if not more than - a typical female character in a shonen series is for the male protagonist. Think about it. Orihime pines endlessly over Ichigo, even if any past development of her being strong and independent in combat gets shot down the toliet. Sakura is still in love with Sasuke, even if she can't bring him back, even when he nearly KILLED HER, and he blew off her confession. It was so bad, that even the canon-confirmed STALKER Karin, who would steal Sasuke's sweaty clothes and lock herself in a room with him just to get some ass, nearly gets killed too... BUT immediately regrets and ends her feelings because she had enough common sense to see how much of a psycho the jerk was!
Heck, it's impossible to list every female character who is obsessed with a male character, to the point she shuts down b/c she can't have him. That she has no future, no dreams, no hope without that one man they pin for. She dedicates her entire existence, will, and body to him. Nothing but him matters.
Now, replace the "she" with Lightning and "he" with Serah, and call that family bonding. (Not to mention that Serah is no powerful force to be reckoned with. She's a floppy doll make of string.) As far as I can tell, Lightning is just as pathetic as Sakura, or insert stupid spineless Bella Sue here. No amount of military training and punching Snow can change how narrow, obsessive, and unhealthy her priorities are - oops, I meant "priority", since she has only one goal. This is not a strong female character. This is an illusion of one that SE is trying so hard to make us believe.
...
Fuck FF13. I should not hate a subseries I haven't played, only seen let's plays of. But honestly, to hell with this subseries. To spare myself from more disappointment, I'm going to claim FF15 will be the death of Square Enix. Having no hope is better than having it stolen from you in the most violent way imaginable.
B-but she HAS to be a strong female character! She does flips and can fight good and doesn't show any of those AWFUL emotions and oh God, I can't even joke about that. There are probably still some poor, unfortunate souls that still buy into this total package of a character.
ReplyDeleteBut anyway, you've got a good (if incredibly worrisome) point. I'd like to think that stuff like Naruto and Bleach have problems because of their target audience, but that's a flimsy excuse, especially since there's probably some overlap between the target audience and plenty of other demographics. Just the fact that those things have footing in the states is a big enough signal...which only makes their "conventions" stand out even more. Was anybody asking for Sakura to be chained to Sasuke, or for Tenten to be a non-entity? Did anyone beg for Orihime to stay out of the way just when it looked like she was going to reach a new plateau? Not a chance. But the mindset seems to be that in order to make one character look good, the creators have to make other characters -- the ladies, unfortunately -- look worse. That's a real problem.
I'm not going to play the "that's sexist!" card just yet, but much like the jokers at Squeenix, I'd say it's a result of incompetence. Thorough, thorough, thorough incompetence. And that's all I'm going to say on that for now...because this is probably a topic I need to get into sometime in the near future. I don't support the mindset, but believe it or not I know how easy it is to fall prey to it. Granted it's also easy to break away from it, but that's a topic for another day.
This so-called Lightning Saga is an absolute tragedy -- and not the good kind -- but there is a bright side: once Lightning Returns is released upon the States, we'll finally be able to put this behind us. And even if there's a VERY good chance I'll end up eating my words later, I'm just going to go ahead and say that things can only go up from here via FF15. It can't possibly be any worse than The Super Duper Lightning Power Hour.
It can't. It just can't.
Haha. Physically, yes. Lightning is strong. Punching the abominable Snow is miraculous for a woman of her tiny stature and scrawniness. Emotionally and mentally, she's an infant who'll die if she cannot feel the warmth of her mother. In this case, she's an infant who'll destroy the universe, time, space, and herself just for her worthless, spineless sister to exist. We would throw feces at a male character if he was Lightning. Add on insane and psychotic. Then make a reference to he has mommy issues Freud rambles about in his sleep. Female characters should not be values when they are like this, especially when the male version is demonized.
ReplyDeleteI know you're joking. Though I know some might not have understood my point. But it is sad that there aren't many impressive, dignified action ladies in fiction, it's just as bad when women will strong wills, beliefs, and confidence are forgotten/ignored. I can at least say a character like... Yukiko in Persona 4 - whom I don't care for much - is a strong person in her own right. Her formal, polite personality gives her a flair for traditional appeal, but she can hold her own in a fight, and she isn't afraid to voice her thoughts or call out on a jerk. Sure, her weapon is a fan, but she throws it like a frisbee. AND get her away from matches or lighters. And Majora's mask. Yeah. Scary.
So, yeah. It may be too much to call Squeenix sexist. As you said, many writers can fall into this pitfall. It doesn't help with crazy dictations like the Bechdel test, in which you are left so paranoid about how you write women and dialogue in fiction. (I know my fanfic fails hard on it too, especially with that damned third point about no men under any circumstance - which is very, very damn hard considering our very masculine, patriarchic society, history, and culture.) Though to be fair, having two female officers come up with a tactical plan to take down a terrorist is far more respectable than two chicks yammering about relationships and marriage over coffee in Buckingham palace. Though Squeenix did not make a catty brat/damsel in distress, Lightning still comes off as hopelessly lost and confused without Serah as Bella after Edward left her in New Moon. Male or female, such glaring weaknesses should be exploited and deconstructed, not ignored and glorified.
... Maybe I should make a rant about this sometime. I have way too much juice on this in my system.
"Punching the abominable Snow"
ReplyDeleteThat made me laugh a lot more than it should have. Probably because I have a secret soft spot for yetis.
But in any case, yes. Do rant. Do rant, indeed. It doesn't matter about age, race, or gender; the treatment of women in fiction is...well, problematic, and the only way things are going to get better is if writers look at themselves before they go pointing fingers at others. It's true that paranoia can really get to you (oh man, I know that feeling), but it's an important mechanism to have in some cases. Sometimes, you just have to question what you're doing because you NEED that course correction.
Ah, now if only Squeenix could take such lessons to heart.
It's almost a given that Lightning Returns is going to be awful, but I'm holding on to the belief that it'll be the least awful of the trilogy (whoa, almost threw up a little just typing that). Vanilla 13 tried to develop six characters when it could barely flesh out one. 13-2 alternated between simultaneously over- and under-explaining its time travel aspect so that they couldn't even try with its whopping two characters. With LR, they have ONE character, and the ONE character they care about most. This is their last chance to send Lightning off with something resembling dignity, so maybe, just maybe, it'll retroactively make the other installments ever-so-slightly better.
At least they're chucking that god-awful battle system. Baby steps.
...Seriously, though, that rant? Go for it.