If you’re just joining
me here on Cross-Up -- and I’m not entirely sure why you would -- then let me
make something clear right now. In my
opinion, the main character of a story defines the story. And by extension, if the main character of a
story is bad, then the story is bad.
I’ve said as much in the past, and while I’d like to think that I’m
mellow enough to say that there are exceptions, I’m having a hard time thinking
up any…so I’m going to revoke that mellowness and say there are no
exceptions. For me, at least.
It makes sense, doesn’t
it? When people talk about stories they
like, one of the first things they’ll mention when it comes to favorites -- or
at least use as an example for why the story is awesome in the first place, and
you should like totally check it out, dude -- is a character. It’s only natural. Characters have faces, dialogue,
personalities, and some good old panache to make their story worthwhile. As they should.
And then there’s the
“everyman”. Trying to make me look like
a fool since 1803.
You know the type. The average guy. The lovable loser. The ordinary high school student. That one guy you saw that one time in a line
at the corner store. Basically, normal
guys -- normal to an outsider looking in, or normal in accordance with their
world/canon. It’s common to see them in
some capacity, and even more so to see them go from guys just trying to get by
to heroes who’ll save the galaxy, rescue the princess, or stab a baddie in the
heart. Either that, or be the chosen one
or something.
But I wonder how useful
they really are in the grand scheme of things -- that is, if they’re useful at
all.
I’m not so small-minded
as to say they’re completely worthless.
Sometimes, you just have to have an average character -- someone who can
help offer a bit of stability and familiarity to a world that’s as alien as the
piles of mush my dog spewed onto my pillow at 4:30 in the morning one
Sunday. Some stories need an anchor character,
and someone who’s “safe” so as to make the transition from the normal to the
fantastic easier to digest. Or maybe
they just need to create that contrast; the everyman is important, but
everything and everyone else around him is much more vital. I know it’s not exactly one-to-one, but in
the case of something like Mass Effect
you had to play as a non-distinct space man/woman to A) craft your ideal
commander, B) interact with other characters without having the narrative
override you, and C) create the illusion of creating the universe as you saw
fit.
That all said, in my
case it feels like something a bit more antithetical. I said that the main character should be the
most important character in the story, but they have to earn that distinction. And they have to do that by being (or at
least trying to be) the most unique, proactive, and consequential characters
they can. They have to be one of the
story’s biggest movers-and-shakers, engaging with the story on their terms so
we, the audience, can engage on our terms. In my eyes, I shouldn’t have to identify with
a character -- and especially not a protagonist -- because they’re relatable to
me. I should identify with a character
because they’re NOT relatable to me -- because they’re extraordinary,
larger-than-life men and women acting as a galaxy of ideas.
You just can’t get that
with everymen. Well, not immediately;
I’m open to the idea that their safety (or blandness, if you prefer) will pay
off eventually, like if they go from normal guy to Level 9999 Paladin over the
course of a story. But a character
that’s largely there for the audience’s benefit has a longer way to go than a
character that’s there for the story’s benefit
-- or just so the story can even scratch things off the checklist. Though I could be a little biased. Maybe not.
There have been some comments on this very blog that suggest the same.
And that’s exactly why
I’m opening the floor for you readers.
It’s time for you to weigh in and answer the question: what do you make of the average everyman? Any examples of the character type you’ve got
in mind? Have an insight on how and why
they appear? Think they can be used
effectively? Want to use this post as a
chance to bring up The Hitchhiker’s Guide
to the Galaxy? Too late! I already did!
But feel free to talk
about anything else that comes to mind.
I could use a little help in becoming less bland -- so do you think you
can shout it out? Then you know what to
do. Ready? Set?
Comme-
Hey, I haven’t
forgotten about you. You’ll get yours
this Friday.
You piece of shit.
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