I never really liked Scooby-Doo.
There was a time when I
sat down for a marathon of episodes -- my first exposure to the show as a wee
little Voltech. Believe it or not, I was
excited for them. And then I actually
sat down and watched them, and I pretty much went “Ehhhhhhhhhhh…this is kinda
garbage.” I guess I just didn’t have the
artistic sensibilities for it yet.
But those sensibilities
never did develop. Even with the myriad
spinoffs and alternate versions -- there was one about catching thirteen
ghosts, which gave the series a built-in END button -- I never found myself
treating the franchise as anything more than a diversion. Just some background noise to play, or a
last-ditch effort to find something on TV.
Still, Scooby-Doo has long
since found both its legs and its audience, and it doesn’t matter if I’m not a
member of it -- although, as it turns out, I actually think the recent Mysteries Incorporated show is pretty
good. I’ve only seen bits and pieces of it,
but I could see myself watching that more than anything else.
The reason I bring up Scooby-Doo is because it’s proof of an
obvious truth: the past is not
sacrosanct. Just because it’s from
yesteryear doesn’t automatically make it flawless and worthy of some slot in
the hall of fame. It can qualify, sure, but there’s no reason
why the old should get a seat on a golden throne just because it has a familiar
name.
Which brings us
to…well, you read the title, didn’t you?