*sigh*
Uuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuugh.
I really, really, really don’t want to write this post. But it’s gonna eat away at me until I commit
my thoughts to (virtual) paper, so let’s get through this as fast as
possible. And let me start by asking an
important question:
Why didn’t I enjoy Volume 4 of RWBY as much as I could have?
Notice the word choice here. It’s not me saying “Why is RWBY bad now?” or “How can people still
like RWBY after…well, that?”
This is a personal bit of introspection; as with everything I write,
it’s an opinion piece. It’s not meant to
be taken as a straight review, and it’s certainly not espousing some idea that
everyone should cling to like a koala to a eucalyptus tree. This is my personal reaction, and my personal
thoughts based on my personal experiences, buttressed by my personal evidence. Assuming that you’re not laughing at my use
of the word “buttressed” (because it has the word “butt” in it), you should not
take this post with 100% seriousness.
It goes without saying, but this post is also
going to feature spoilers. This is
Volume 4 of a web series that’s been going for a good while now, with the episodes,
characters, world-building, and plot to match.
It’s the sort of thing that makes you wonder who this post is for if
it’s not at all newcomer-friendly -- and indeed, you should have a working
knowledge of all four volumes before reading this post -- but that’s entirely
the point. You’re probably better off
not reading this, because you’re about to see the majority of my disappointment
laid bare.
But if for some reason you’re just jumping in (and
by some miracle you even found this blog), then here’s a VERY quick rundown.
The story takes place in the world of Remnant, at
once plagued by masked nightmare creatures - the Grimm -- and filled with
warriors who wield mystic powers within and without -- i.e. the Huntsmen and
Huntresses. Those who learn to harness
the power of their auras and make good use of their innate abilities
(Semblance) can become heroes who protect the world from monsters, criminals,
and all sorts of malcontents who would use their strength or forces to harm the
innocent. But as you’d expect, it’s a
tricky business, wrought with danger and full of turns that can lead a
well-to-do hero astray. The counter: a
series of schools where those with power, weapons, talent, and the will to use
them can learn how to become world-class Huntsmen and Huntresses.
Our leading lady Ruby Rose is one of them -- or was, at least. She teamed up with her stepsister Yang (a
pugilistic joker with a bad temper), the huffy heiress Weiss, and the taciturn
loner Blake to form the titular RWBY.
Even though they’re supposed to be at what might as well be Anime
Hogwarts to learn how to be better Huntresses, they end up getting involved in
the mysteries and misdemeanors going on in their city of Beacon; it’s not long
before the students take on criminal organizations, mechs, and rowdy freedom
fighters in their spare time. But they
end up pushing their luck too far -- or maybe not enough -- when the villainess
Cinder Fall steps in.
Having infiltrated Beacon as a seemingly-average
student, Cinder plays the long game to dismantle the world from the inside
out. She ends up triggering a riot while
effectively standing on the world stage, which gives her the cover to probe
Beacon’s depths and meet with one of four legendary maidens -- all so she can
take that power for herself. It doesn’t
work; Ruby ends up stopping her, but not before massive losses are had.
Beacon has fallen, allies are dead or MIA, and the
ensuing chaos ended up forcing Team RWBY to split up. Weiss gets dragged back home to live under
the thumb of her wealth-absorbed father.
Blake goes on the run, having confronted the White Fang band of
activists she once worked with. Yang
lost an arm, and her spirit has seemingly been broken beyond repair. In the end, only Ruby soldiers on with a trio
of her classmates -- because she knows there’s still a lot of work to be done.
So begins Volume 4 after a six-month time
skip. And, well, I guess that would make
this RWBY Shippuden from here on out,
for good or ill. Mostly ill.
I don’t want to dwell too much on Naruto, because that’s a mass of tangles
the size of the average boulder. I will
say this, though: there was a change of…shall we say, priorities that transformed the original story into something
different, and not all of those changes were (in hindsight) for the best. More pressingly, though? It’s as if they had something that, while
certainly not perfect, was still plenty enjoyable for the Naruto we got. And then Shippuden happened, and…uh…let’s just
say Shippuden happened and leave it
at that.
It’s the same story with RWBY. Rooster Teeth had
something really strong with the first three volumes of RWBY; it may not have been the greatest or most original thing ever
(I would bet that the concept has
been done elsewhere, in both official and unofficial releases), but it was
still something that at least felt special. I’ve got no problems saying that RWBY is the funniest anime I’ve ever
seen, for one thing. It’s a given that
the fights are slick, but they’re made more enjoyable by having characters with
charisma go about their daily lives -- lives that go from mundane to extreme in
the space of a scene transition. I’m
more than ready to declare the
food fight scene as one of the highest water marks of the series to date.
But by saying that, it forces me to ask a ton of
questions about Volume 4. What’s its
water mark? Where’s its charm? Where’s its mundanity and extremity? Where’s its cast? Where’s its comedy? Where’s the stuff that made me a fan of the
series to begin with?
Volume 4 is a stark departure from the volumes
that came before it. It’s somber. It’s slower.
It’s serious. The ratio of action
to drama undeniably favors the latter.
This is no breezy slice of life chronicle of Teen Girl Squad; the world
needs to be developed, the pieces need to be moved into the proper places, and
so on, and so forth. So on that note,
I’ll be clear: Volume 4 is not a worse
volume because it doesn’t have as much action or comedy. It’s absolutely not that.
Moreover, this is a volume that needed to
happen. The heroes’ home is in shambles,
with a loss that shifts power further into the baddies’ clutches and a world
that’s shuddering from the fallout.
Ruby, Weiss, Blake, and Yang have all landed in bad places because of the
story’s events (in a sense, but I’ll get to that), so there had to be a full
sequence showing how they deal with the pressures of their lives outside Anime
Hogwarts. It’s always darkest before the
dawn, as they say -- and in order to progress these characters -- and others --
beyond what we know and expect, they had to face the absolute depths of
despair. So in terms of design, Volume 4
had it exactly right. There had to be a
change -- a transition -- and taking the story through these paces was an absolute
necessity.
So the design is right. The problem is the execution.
Here’s one of my big issues with Volume 4. See, the end of Volume 3 has Yang taking a
nasty hit from Adam Taurus, one that leaves her without an arm. Coupled with her ruined home and the stigma
from the big tournament -- one which convinced the world that she was some sort
of brutish blonde berserker, which wasn’t that far from the truth -- Yang’s got
some major issues that need sorting out.
She more or less spirals into a deep depression, and it’s hard to bear
with the fact that the spunky joker of the group can’t even be bothered to
leave the house. I mean that quite
literally; having decided that enough is enough, Yang decides to head home and
languish.
That’s more or less a plot thread that needed to
happen. You’ve got to deal with the
fallout from a traumatic moment like that somehow, and Yang’s downfall is one
way to do it. And to be sure, there are
some strong moments throughout it and Volume 4 in general. But I feel like those moments -- and the plot
thread at large -- would be even stronger if Blake didn’t go through basically
the same thing. Yes, the circumstances
are different -- she feels responsible for Yang’s injury, can’t handle the pain
of the things she cares about getting destroyed, and she’s left powerless in
the face of Adam/the White Fang -- but she still goes to the exact same place:
Blake decides to head home and languish.
And then you get to Weiss, and -- guess what? She decides to head home and languish,
too. Again, her circumstances are
different -- she’s dragged back home by a father who doesn’t want his prized
possession and key to social status “frittering her life away” as a Huntress --
but it doesn’t change the fact that she spends all but the last few minutes of
Volume 4 in the confines of her home.
Same goes for Yang. Same goes for
Blake (with the exception of a boat ride).
So my big issue with the volume is multi-faceted;
yes, obviously, there’s too much drama without anything to offset it. But the drama here isn’t nearly as distinct
as it needs to be, at least from three of our four main characters. This girl is sad. This girl is oppressed by the world around
her. This girl is supported by her
family and/or friends. This girl finds
the resolve to get back in the fight.
This girl gets ready for the next step of her journey. In theory, these plot threads are supposed to
help enrich our understanding of the characters, and give them arcs to
transform them from mere students into true Huntresses. In practice?
It’s all just a holding pattern for Volume 5 and beyond.
Weiss starts out as a headstrong young lady that’s
out to prove her worth without her daddy’s permission. Who is she at the end of Volume 4? A headstrong young lady that’s out to prove
her worth without her daddy’s permission.
How has she grown as a character?
What has she learned? What
struggle did she overcome? I mean, I guess her arc had her escape the
clutches of the family name and corporation, but she already did that…at the start of Volume 1. Blake goes back to being a loner who does her
own thing, but once people drag her out of her shell, she goes back to being a
resolute Huntress with a heart hungry for justice -- and that’s exactly who she
was from Volume 2 onward. Yang might
have spent six months wallowing in despair, but she still managed to go back to
(or start going back to) being that lighthearted joker with a mean right hook
with a sweet bike at the end of Volume 4.
And that arc -- and Blake’s, and Weiss’ -- is only made possible after a
crapload of whinging and indecision.
It’s like…Volumes 1 through 3 of RWBY played out as the idealized form of
anime. And now Volume 4 of RWBY plays out like what anime is often actually like.
The only exception among the core four is Ruby,
and not for the right reasons. On the
plus side, she’s actually on a mission to protect the world and stop the
baddies; to do that, she travels the countryside alongside the bumbling
swordsman Jaune, the spunky powerhouse Nora, and the soft-spoken gunslinger
Ren. I can appreciate that level of
proactivity, for sure. You can develop
characters while having them go on the road; there is a little thing called
“The Hero’s Journey”, after all. And to
be sure, the members of the now-defunct JNPR (following Pyrrha’s death at the
hands of Cinder) have some great moments.
Jaune continues to be the best character in the show by evolving from
that cowardly bumbler into a strategist and paladin in the making -- and beyond
that, he went from a loser who pined after Weiss into a hurting, heartbroken
hero. He’s forced to confront his pain
and loss each time he has a solo training session -- because he’s constantly, constantly listening to Pyrrha’s advice
on his phone.
But the problem is that Team JNPR (what remains of
it, at least) ends up completely overshadowing Ruby -- and even then, it’s not
with the most ideal results. Jaune gets
it best because even if he is suffering, it’s done in a pithy yet powerful way;
the rest of his development is onscreen, natural, and progressive, yet not so
in-your-face that it dominates everything else.
Then you get to Ren, who has his backstory fleshed out…and fleshed
out…and fleshed out…and I was just like “Yeah, okay, I get it.” That kind of extends to Volume 4 as a whole.
It was kind of a throwaway line in Volume 3, but
Nora quickly and offhandedly mentions that she and Ren don’t have parents -- or
at least, no living parents. And you know what? That was all I needed. Ren and Nora may have more prominence than
some of the other teams/team members (quick -- name the other members of Sun’s
team without using Google), but they’re not on the same tier as Team RWBY, or
even Jaune and the late Pyrrha. I wasn’t
chomping at the bit to learn Ren’s story, but there’s a whole episode devoted
to it anyway. Fundamentally, it’s a fine
episode -- but it’s a far cry from interesting or original. An innocent kid with a happy home life ends
up bearing witness to the destruction of his hometown and the murder of his
parents by [insert villainous threat here].
How many times has that been done?
I felt more impact from seeing Nora struggling to
survive as an abandoned street orphan -- something shown in a few minutes’
time, if that -- than Ren’s entire flashback sequence. But the show doubles down on it; you know
that it’s only a matter of time before Ren gets his backstory revealed prior to
that big episode, because suddenly the volume drops all of these hints and
dramatically increases the amount of dialogue for a character who was
borderline mute in the volumes beforehand.
And it’s like…yeah, okay, I get it.
I have a good feel for this character, even if he’s just a cut above a
bit player. I don’t need to see anything
more for him, because I already like and understand him enough to -- oh,
what? You’re giving him a flashback
sequence? And you’re giving him
uncharacteristic outbursts of anger? And
you’re trying to raise death flags? And
you’re making the final fight of the season more about him than the title
character? Uh…yeah…okay, that’s cool
too, I guess.
There’s no time for Ruby here, or at least not
enough. At the end of the volume she
writes a letter to Yang (complete with ten-minute montage of everything that’s
gone down/will go down in volume 5); in it, she talks about how hard she’s had
it, and how much pain she’s been forced to witness. Throughout that montage, I basically went
“Yeah, okay, I get it” every other minute, because I did get it. Why? Because in a lot of ways, there’s nothing to get.
For starters, Ruby chose to go on this journey --
on foot, even though other characters end up traveling to the same destination
instantly by using planes, trains, and all sorts of vehicles. I guess the idea was that Team “RNJR” wanted
to keep a low profile/not be identified as Huntsmen by the authorities, but A)
to my knowledge that’s not a point well-articulated in the show (though I could
be wrong), and B) they’re acting like they’re destined to be treated as
second-class citizens despite being minors, Huntsmen, and…well, heroes, more or
less.
But I digress.
The bigger issue is that point-for-point, Ruby’s struggles don’t feel
nearly as pointed as they need to be for her to justify her near-breakdown into
tears at the end. What does she have to
deal with over the course of Volume 4?
She and the others wander through the wilderness, having lost their map
(so I guess their phones are no help, then?).
They see some towns destroyed by the Grimm, which would’ve served as a
reality check if Ruby hadn’t already seen cities
destroyed by the Grimm in previous volumes.
Speaking of which: they fight the Grimm on
occasion -- and they would be more of a threat if the show hadn’t already
demonstrated the core cast’s ability to rip through them like blenders. They fight a scorpion guy who puts up a good
fight, but then Qrow shows up for the assist.
Qrow exposits at them. They
discover that Qrow got poisoned during the fight with The Scorpion King, which
in hindsight should’ve been obvious when fighting against The Scorpion
King.
They have to hurry and cart Qrow to any place with
medicine. They fight the Grimm that
wrecked Ren’s village back in the day -- and what a coincidence for it to still
be bumping around in the same place without ever bothering to search for more
prey, given that the Grimm are explicitly
stated to be drawn to places where people (presumably the living) gather
and expel negative emotions. They
win. They get airlifted to their
destination.
Where’s Ruby’s big character moment throughout all
of that? I don’t know. I mean, she does get little ones sprinkled
throughout -- she calls out Qrow for withholding knowledge -- but there’s
nothing that suggests she’s had any truly perceptible growth since the end of
Volume 3. Still, I think my bigger issue
is that Ruby doesn’t feel like Ruby anymore.
She was the mood maker of the team, and the show at large; she was full
of energy, happy-go-lucky, a goofball. I
get it, though; you can’t have Ruby being her usual goofy self when Volume 4 is
supposed to be a darker, quieter, more serious tale. The problem is twofold, then; they stripped
away those elements from Ruby, which ended up hurting RWBY (and vice versa). And
more pressingly, they didn’t replace what they took from Ruby or RWBY with anything nearly as
substantial.
I mean…she got a new outfit, yeah. But some fancy threads aren’t enough to hide
some glaring flaws.
…Maybe they should knit a quilt. I bet that’d help.
The art and animation have seen another uptick in
quality, that’s for sure; there were times when I thought that RWBY could’ve passed for an off-the-cuff
version of Tales of Vesperia. That’s a good comparison to make, all things
considered. The problem I have is that
I’ve got this niggling feeling -- this sense that despite the visual uptick,
the animation isn’t being used to its fullest.
There’s significantly more talking in this volume than in other parts,
which comes at the cost of some extra action scenes slipped in. Fundamentally, I’m okay with that as long as
the content is interesting. More often
than not, it’s…not.
More pressingly, though, there’s a level of
stiffness -- in fights and out of them -- that’s getting harder and harder to
ignore. Even if the models and
environments have improved in quality, the actual animation seems like it’s going
backwards at times; I don’t know if it’s because I’m watching on YouTube, which
in turn hamstrings the final output, but Weiss and Yang’s grasps of anguish in
the opening seem unusually rigid. I
don’t want to be that guy and say it’s the fault of the framerate, because
Volume 3 wasn’t running at 60 and it still seemed more than OK.
Either way, what this means is that Volume 4 is
low-key, which is fine…but it’s also low-energy, which is not okay. There are ways to make moments of
confrontations and conversation tenser than the most lethal of fist fights, but
that’s a lesson RWBY seems to have
forgotten -- not missed, but forgotten,
because sequences from previous volumes got me good. It’s a combination of things, really; there’s
too much focus on the drama, which would be fine if ALL of the drama was good
instead of some of it. But because we
have to deal with Ruby’s drama, and Weiss’ drama, and Blake’s drama, and Yang’s
drama, and Jaune’s drama, and Ren’s drama, and Nora’s drama -- well, it gets
wearisome.
And that’s not even the worst part of it. I’m legitimately starting to resent the mere
presence of the adults in this show; they were hands-off and background voices
in previous seasons, and they need to stay that way. But thanks to them, we have to deal with
Ozpin sitting pretty inside farm boy Oscar, who in turn takes up screen time
for a plot point that won’t have relevance for another six to eight
months.
And we’ve got to deal with Qrow’s drama and his
angst over his aura of perpetual bad luck (the reveal of which would be a lot more
potent if Qrow himself didn’t just become
a thing in the previous volume, and even then stayed on the
sidelines). And we’ve got to deal with
one adult after another arguing and/or being a bag of dicks with other
characters. They’re actively pulling
away screen time for characters that need it a lot more. Well, I say as much, but I fear the next step
would be us getting a flashback on why Nora became a street urchin.
It’s been a while since I read them, but I thought
that a core tenet and appeal of the Harry
Potter books was that it focused on the exploits of the core three
characters. We followed Harry, Ron, and
Hermione over the course of about seven years (in-universe) and watched them
struggle on their terms. Yeah, the
adults had a hand in it -- more often than not, ostensibly -- but the viewpoint
was strictly from the main trio’s perspective, and Harry’s most of all. It’s what we identified with; plus, since
Harry was the main character, it made sense to guarantee that he was the key
player alongside his chums. We saw the
world through his eyes, and that world included adults. That was part of the charm -- and every time RWBY deviates from that, it risks
driving right off Dead Man’s Curve.
Also, there was a moment where I went “that’s
fucking dumb” in this volume. So it
turns out that the four maidens that are essential to the bad guys’ plans were
(and still are, in a couple of cases) being kept in the depths of Remnant’s
major schools. The justification behind
it? The Huntsmen and Huntresses there
would protect the maidens from harm.
It’s a fair point, I suppose…until you realize that these schools are
filled with Huntsmen and Huntresses still in need of training. (Remember Jaune at the start of Volume
1? Yeah.) And beyond that, there’s the problem that
children are being forced -- without their
knowledge -- to protect ancient powers from evil. Evil which, as demonstrated, has no qualms
about inciting a riot and driving an army of hellspawn onto campus grounds.
Adults willingly putting children in harm’s way
without their consent or even the vaguest of warnings? Cripes, it
really is Anime Hogwarts.
It’s been a while since I’ve been so frustrated by
a story. But here we are. RWBY occupies
a strange space in my mind right now; no, it’s not one of the gold-starred
exemplars who have earned my respect with their tireless service and
quality. Then again, it’s not the sort
of refuse I’d toss into a dumpster, which would get tossed into a bigger
dumpster, and then blasted with a grenade launcher. It’s not a bad show, is what I’m getting at
here; it never was, and I would assume that it never will be. Despite all of my complaints, I’ve got no
problems saying that -- as of the Volume 4 finale -- RWBY is still basically fine. It’s totally, acceptably fine.
I guess the question now is, once again,
twofold. Am I okay with it being
fine? The show’s not my favorite ever,
and it never was; still, I found plenty of stuff to enjoy about it, and I
didn’t feel like my time was wasted.
Volume 4 tipped the scales toward that nightmare zone -- the opinion
where I did feel like I wasted my
time -- but it’s not there yet. It’s
still fine. But that’s the second
question: when will it stop being just fine?
I only ask, because I’ve seen the highs.
I know what it can do. I know
that Volume 4 was a slump, but a necessity that needed to happen so it could
evolve from there. Will that promise be
fulfilled, though? Will it genuinely,
actively justify that slump?
I hope so.
But for now, I’ll say this much: I actually kind of like Volume 4’s theme song. That’s a small win in my
book, at least.
See you next time -- which I say to both you readers and RWBY in general. Although…if Blake and Yang don’t become the official couple by story’s end, I’m gonna be pissed.
See you next time -- which I say to both you readers and RWBY in general. Although…if Blake and Yang don’t become the official couple by story’s end, I’m gonna be pissed.
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