In the immortal words of
Chef Gordon Ramsay, “I’m going to do something I’ve never ever done before.” How often
that’s the case is up for debate, but who am I to deride such a well-renowned chef? And by the same token, a man whose rage
constantly keeps him in Super Saiyan mode?
In any case, there are
a number of things that I’m in the mood to talk about, but only tangentially;
that is, I don’t feel like there’s enough meat right now to turn any one of the
games into a three-thousand word dissection.
Plus I’m working on some other projects right now -- I Hraet You, The
Manly Song Repository, and a “certain
something” especially -- so I’d prefer not to get too distracted.
So let’s get this thing
going, yes? Expediency, ho!
Lightning Returns: Final Fantasy 13!
(Or:
BWAHAHAHAHAHAHAHAHAHA!)
Oh, right, this is also
the reason why this post tackles five games instead of just one. I’d heard that Squeenix was going to announce
“the future of Final Fantasy” at
their 25th anniversary convention thing, and all thoughts
immediately flew to A) Final Fantasy 13-3
and B) no new news about Versus 13/telling
us to wait patiently for Versus 13. Both those assumptions were proven correct;
Versus 13 is an all but certain
no-show in any form at the upcoming Tokyo Game Show, while 13-3 has done a Matrix-style bullet dodging by being branded Lightning Returns: Final Fantasy 13. I like how Squeenix’s takeaway from the
failures of 13-2 is that they have to
overcompensate by having you play ONLY as a pink-haired slab of wood
Lightning, as well as practically screaming it in the title.
I was about ready to
flip over an entire neighborhood at the announcement of this game, because at
this point it just seems like Squeenix is trying to take the piss out of gamers
(and they’re doing a fantastic job). But
a funny thing happened as I was reading about the game: I actually started
laughing. Not Joker-like guffaws, mind,
but a noticeable chuckle. I think that
my rage reached such a zenith that it snapped me back into amusement -- that
the company I once respected is so broken that they’re shooting themselves in
the foot with a Gatling gun. Even if Lightning Returns is a success in terms
of gameplay (though it probably won’t) and a success in terms of story (though
it definitely won’t), it’s still
going to be a trainwreck in terms of credibility. “Hey guys!
Remember that ability to slow down time that Lightning had in FF13’s announcement trailer? Well, it took us about seven years, but we
FINALLY put that into this game! Third
time’s the charm, right?” Because if
there’s one way to prove how far your series has come, it’s to ape a gameplay mechanic introduced back in 2001.
Metal Gear Solid: Ground Zeroes!
(Or: Feels Like I’m
Wearing Nothing at All!)
I’ve never mentioned it
here on the blog, but I kind of like the Metal
Gear franchise. That’s not to say that
the games are perfect -- the convolution is astounding, and I've actually fallen asleep during one of the cutscenes...only to wake up and have the cutscene STILL GOING -- and that’s not to say that I’m any good at them -- seems that stealth is not
my forte -- but I like the ideas behind them, and they’re consistently
enjoyable. So even though it’s a
surprise to hear that a new game is coming (especially in light of the
near-definitive conclusion of MGS4),
I can’t help but feel receptive.
That said, I’m curious
about this game -- in both a positive and negative respect. It looks like Old Snake is back in the
saddle, in spite of him presumably being close to death at the end of MGS4…and you know, old. And I can’t help but wonder if series
mastermind Hideo Kojima is weary of Snake and company himself; I would have
figured that after saying something to the effect of “This will be the last Metal Gear Solid game” or “This is Snake’s
final mission”, he’d avoid not only making Ground
Zeroes, but suggesting that it’ll tie in to MGS5. Maybe he just can’t
get it out of his system? Maybe he’s
stuck catering to fan demand? In any
case, I can probably expect some meta-subtext along the way…and given that the
trailer released featured a loving image of Snake’s rain-slick, leather-clad
ass front and center as he crawled about, it looks like there’s nothing to
worry about.
The apparent news of MGS going open-world is a surprising
one, but one that I’m receptive to. One
could make the argument that MGS3 --
with its sprawling jungle -- was open-world in its own right, just given focus
thanks to the nature of the narrative/mission structure. So essentially, Ground Zeroes will be like that, but taken up a notch; a sneaking
mission taking place in one huge playground, or at least several sizable
ones. So yeah, I’m looking forward to it…just
not the inevitable “someone pees himself” scene.
Chrono Trigger!
(Or: Blink and You’ll Miss It)
On a whim I decided to
fire up my DS copy of Chrono Trigger. I’d already beaten the game once before
(thanks to my mighty team of Frog, Robo, and Ayla), but the prospect of a New
Game Plus with my characters fully-leveled and my equipment in place seemed
tantalizing; I was in no mood to trade in the godhood I’d earned last
time. Also, I love sprites.
So I played a bit of it
for about an hour or so…and I have to say that at a glance, it’s withstood the
test of time (fitting, considering the theme).
But what’s most surprising to me is how fast-paced everything is; I don’t
think it even took me an hour to go from Crono waking up in the morning to
getting Frog and preparing for a boss fight.
That’s not to say that what’s happened so far is meaningless or unaffecting;
all the emotion is there, but it doesn’t spend all day trying to convey those
emotions. For example, early in the game
you trek through the Millennium Fair with Marle, exploring and seeing the
sights and such. You go dancing, you
fight Gato, you ring the bell, you eat candy, you have a go at a drinking
contest…all of these are events that can take as few as ten seconds to complete,
but flesh out the event and help build a bond between Crono and Marle (as is
the standard in JRPGs). And when it’s
time for the quest to start, you can start it.
No gimmicks. No
hand-holding. No waiting.
It makes me realize
that JRPGs today -- many games today -- have a serious problem with, for lack
of a better phrase, time management. Kingdom Hearts 2 takes three miserable
hours to get anywhere meaningful, because there’s a crap-load of meandering,
heavy-handed cutscenes weighing you down.
Cutscenes used to be a reward for doing a job well done in a dungeon or
finishing a boss (especially FMVs), or for conveying information necessary for
moving to the next point. But now?
I miss the nineties.
Persona 4 Arena!
(Or: Why I Don’t Often Play
Fighting Games Online)
Given that I’m an unabashed
Atlus slut, it should be no surprise that I like Persona 4 Arena. I’ve had a
chance to play through the story mode some more, and completed the paths of
ever member of the investigation team.
That leaves the P3 characters
(and Labrys and the true ending, no doubt), but I took a break from the story
to indulge in online battles, at my brother’s suggestion. I went all in with the swordsman of swag, Yu
Narukami -- and in spite of it being my first online foray, I did pretty
well. I had some losses, of course, but
I walked away having defeated my fair share of foes. Even if there are players who’re a little too
eager to mash A, all it takes is a rudimentary defense to frustrate them. And of course, exploiting their antsy nature.
So a couple of nights
ago I gave online play another try. “It
should be fine,” I said to myself. “I did
pretty well last time. I should be able
to handle myself.” And I did…to a far
lesser extent. I won a good number of
matches and came close to ranking up (or at least ranking my brother up), but a
string of bad luck got in my way. And by
bad luck I mean Elizabeth players. It
didn’t take long for me to go from a near-rank up to a depressing
rank-down. And so I spent the next few
hours trying desperately to regain that rank (and my honor), with mixed
results.
My ultimate conclusion
is that online play is for masochists.
It seems like it’s impossible to walk away with anything less than a headache
if you dare venture in. Players that
mash and mash and mash, and end up becoming untouchable because of it. Players that use the most frustrating
characters with almost gleeful pride…and with it, the most infuriating
tactics. Players that refuse to learn,
and can win a match solely because of one lucky hit. Players that leave you asking “why would you
do that?!” as the bell rings and the match goes to them. I wouldn’t mind playing online if I was
losing to good people (and there are good people; I got wrecked by a Shadow Labrys player), but there’s so much muck that
it’s not worth waiting for the one person, the diamond in the rough, who knows what he’s doing.
…I’ll probably play
again later today.
Tales of the Abyss!
(Or: The Joy of
Sidequests)
I’ve done everything I
feel like doing in Tales of the Abyss;
all that’s left is to trek back through the final dungeon and beat Van, and the
game is over. Theoretically I could
start writing something about it now, but I’ll give the game another shot at
wowing/disappointing me in its final minutes.
At a base level, I say it’s still a solid game…not nearly as good as I
thought it was, but nowhere near abomination-levels. I’ll write something about it soon, I think.
For now, I want to make
a complaint: I think I’m REALLY starting to hate doing sidequests. I say “think” because I can’t be too sure; it
may just be that I hate doing Abyss’
sidequests. See, I’m the kind of guy
that likes murdering every extra boss at least once, given the opportunity, and
I figured I might as well do so here.
And while I was at it, I’d grab some of the extra costumes. But doing the sidequests necessary requires
such an absurd amount of work, globe-trotting, and nigh-clairvoyance that it
ceases to be fun or rewarding and just becomes irritating padding. And if there’s one thing Abyss DOESN’T need, it’s more padding.
Let’s say you want to
get one of Natalia’s unique costumes. To
do that, you need to go to Nam Cobanda Isle.
Cool. But you can’t. Even though you have one of the only two
planes in the world, you can’t fly there because you’re hammered by fireworks
if you try to approach, nor can you go by sea because it’s surrounded by
whirlpools. So (after doing the Mushroom
Road sidequest, where you get the Greater Flightstone -- which in itself is
easy to miss if you immediately head for the dungeon’s entrance) you think “Oh,
I need to get the Refined Flightstone.
No problem, I know where to go on Mt. Roneal.” Except it’s not that easy. You have to have all the Sorcerer’s Ring
upgrades -- and I mean ALL of them -- to even attempt it. So how do you get Mieu Fire 2, which will
immediately solve your problems? Well,
you need to head to Keterburg to talk to Shiba, who’ll give you an item to
throw into a volcano to freeze the magma to head down a sealed-off path to get
the upgrade.
But before you can do all
that, you have to head to Aramis Spring because as it turns out, he got trapped
there. So you save him and head back to
Keterburg, but he’s not there. Because
apparently, you HAVE to have Mieu Wing so that when you go to the volcano and
try to get Mieu Fire 2, a cutscene referring to Mieu Wing makes sense. So where’s Mieu Wing? You have to go to Tataroo Valley and smash a
rock face with Mieu Attack to open a path to a hidden part of an
already-visited dungeon. You get the
upgrade, head back to Keterburg, talk to Shiba, go through the volcano to get
Mieu Fire 2, then head to Mt. Roneal, making use of several alternative
entrances to put an improbably-designed series of door-opening torches in place
to open a door to a different part of the mountain that’s unapproachable by air
to find the Refined Flightstone, so now you can go through blizzards and
sandstorms and whirlpools…but ONLY if you’ve built up enough speed to power the
force field that appears (why the force field can’t be active all the time so I
don’t have to back up halfway across the world to charge it is one of the Seven
Mysteries of the World). So once you
have that, you can go to Nam Cobanda and talk to a boy in a cow suit to start a
sidequest that’ll give you Natalia’s costume…but only if you find the cow-kid’s
brothers. So you head to Baticul’s port,
then head to Engeve, then BACK to Baticul’s port (woe to you if you think you’re
supposed to go back to Nam Cobanda) and trigger a cutscene so that the cows
will finally go back to Nam Cobanda, so you talk to the first cow kid and get
the costume.
The good news is that
once you get the two flightstones and all the Sorcerer’s Ring upgrades, it’s
possible to do the rest of the sidequests.
The bad news is that there’s still
a lot more bullshit to go through
if you want to do the rest of the sidequests and kill the super-bosses. You can scour the world for some ancient
super-weapons, which is the only way to access one boss…or you can go through
another sidequest (with a tenuous connection to the actual sidequest) to allow
access to a secret dungeon that not only saps your wallet dry as you progress,
but requires you to avoid combat…in other words, you’re punished for actually
trying to play the game. But the bigger
problem here is the sheer amount of work required to get anything accomplished. If
you get even one event in the sequence wrong, you can’t progress. There’s no hint that Shiba’s trapped in
Aramis Spring, or that there’s another sidequest you have to do involving an
emergency animal rescue, or that there’s even a secret dungeon to begin with;
nobody except the people that are actively involved in the sidequest give you
any useful information. Unless you do
some fantastic guesswork, there is no way you’re getting anything done without
a walkthrough -- and if your game requires you to have one eye on the screen
and the other on a GameFAQs page the entire time you’re playing, then I’m
pretty sure that there’s been a developmental fuck-up somewhere along the line.
So yeah, that’ll do it
for now. Hope you enjoyed this brief
little post on some ga-
*looks at word count*
